Photography

A gallery corner of the site: a small working selection of frames kept from the light, with more still drying in the darkroom.

Working Selection

Frames I kept from the light.

A few photographs worth printing: a city after dark, water doing the work, a winter sun that arrived for a minute. A small selection, honestly small. The rest is still drying.

The city skyline across the river after dark, towers lit and doubled in the still water.
Frame 01 The city, across the water, after dark Ho Chi Minh City
DARKROOM Roll 01: a working selection

Selection small but honest · only my own frames · captions carry mood and place, never invented camera specifics

These are the ones I would actually print. No stock, no borrowed work. More frames get developed and hung here as they earn it, not before.

Contact sheet

  • Low winter sun breaking through bare snow-dusted trees, light raking across the slope.
    02 Sun through the cold trees winter light
  • A waterfront row of old houses mirrored in perfectly still water at blue hour.
    03 Still water, doubled town blue hour
  • Caustic light folding over rippling blue water, an abstract net of bright edges.
    04 Light writing on water caustics
  • A rooftop at night, a figure looking off-frame with the lit city behind and a cold drink on the ledge.
    05 Rooftop, somewhere after midnight night, the city behind
  • A portrait in low blue light: a musician looking down at a guitar mid-phrase.
    06 Blue room, one quiet phrase portrait

A small working selection, more in the darkroom. New frames get hung here once they are worth the wall, not before.

Field log

  1. shot photography

    The city across the water, after dark

    A frame worth printing: the skyline doubled in still water at night. It became the lead plate of the photography world’s working selection. Only my own frames hang there.